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The unlikely message of hope in ‘The Invisible Man’
‘Dark Waters’: how an American icon poisoned a town
The unbalanced feminism of Taylor Swift’s ‘The Man’
Crash Landing on You: Korean drama crosses the north-south divide
‘1917’ urges us to reject the inevitability of war
A South Korean masterpiece claims Best Film Oscar
The noble, tragic, terrifying example of a World War II conscientious objector
Little Women: Gerwig’s direction breathes new life into this American classic
Roe v Wade comes to Hollywood
Netflix’s mesmerizing apocalyptic thriller ‘Messiah’
Christian themes at stake in retelling of Dracula
Happy birthday, Mr Bean! Celebrating 30 years of a major comedy character
Our pick of the films of 2019
Frozen II is a bit lukewarm
‘Marriage Story’: Gut-wrenching, but compassionate
‘Based on an actual lie’
The Irishman is a triumph for its director and actors
Terminator’s dark fate is to have reached the end of the road
‘Ride Like a Girl’: Celebrating family, faith and fortitude
Martin Scorsese says superhero movies are ‘not cinema’. Is he right?
Can ‘Ne Zha’, a child demon with $1b at the box office, teach Chinese how to raise good kids?
‘Joker’: a descent into madness in Gotham City
‘Chernobyl’: how mass mobilizations saved Europe and doomed the Soviet Union
‘Ad Astra’: out to the stars, into the heart
‘Overcomer’: broken lives beating the odds with faith
‘Good Boys’: a beginner’s guide to child exploitation
‘Once Upon a Time … in Hollywood’ —definitely Tarantino, and definitely not his best
Netflix and the streaming revolution: opportunities and threats in TV drama
Reclaiming our common humanity in the art of classic movie storytelling
For Spider-Man, far from home, it’s time to man up
Avengers: Endgame and the relentless march of Hollywood franchise movies
Godzilla meets the Bible
Dark Phoenix, a disappointing farewell to the X-Men franchise
A Toy Story that adults will enjoy
‘Unplanned’ - A sympathetic and honest look at the abortion industry
Missing Link: a charming adventure animation
Why Godzilla is the perfect monster for our age of environmental anxiety
The live-action ‘Aladdin’ is a winner from Disney
Do we really need PC Disney classics?
Is ‘Avengers’ America’s Iliad?
Not for the squeamish: ‘Game of Thrones’ approaches its finale
‘Stan & Ollie’
‘Tolkien’: The early life of a creative genius on the big screen
Happy International Day, Batman!
‘Avengers: Endgame’—confusing but spectacular
Avengers: Endgame exploits time travel and quantum mechanics
‘Unplanned’ shows side of the abortion debate few audiences get to see
The Matrix 20 years on: how a sci-fi film tackled big philosophical questions
Vice: a corrosive portrait of American politics
The Wandering Earth: why you need to see China’s latest sci-fi blockbuster
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